Talent & Staff
Julie Landholt
Julie Landholt

Julie started her career in Los Angeles as a title artist for feature films and television before the digital revolution in filmmaking. Titles and opticals were created by using an optical printer. Title art was printed and animations were made in camera. It provided a great lesson in the fundamentals of how 35mm film was taken through the post production process.

In 2003 she transitioned into creating titles and opticals that were finished as a digital intermediate. As the digital intermediate process began to take over feature post production, Julie used her knowledge of both film post and the digital intermediate process shepherding projects to final deliverables as a DI Producer.

Julie started in the Projection Department at Universal Studios when features were still being heavily distributed on 35mm film although it was clear that digital distribution would become the industry standard. She was able to bring her perspective of bridging the divide between traditional filmmaking and digital filmmaking to the department’s transition into the digital age.

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07.20.19
When you can't film in the city, you bring the #cityscape indoors.
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07.19.19
Universal Studios Property is happy to host today's @officialsdsa membership meeting. The festive decor throughout the showroom, the delicious #tacos and the community of #setdecorators and #productiondesigners made for a great event! Check out our Insta-story to see all the fun.
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07.16.19
"Hobbs & Shaw" is coming soon! NBCUniversal Archives & Collections has installed #costume displays from the film at the AMC CityWalk. Check them out on your next visit - movie hits theaters Aug. 2nd
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07.15.19
CHICKEN RANCH #location #victorian #home #house #vintage
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07.15.19
The newest #stages on the Lot!
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07.13.19
Attending the 2019 ICG Annual Lighting Workshop /Digital Symposium? Be sure to stop by and visit the Universal Production Services NY team and Cineo Lighting.
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07.12.19
TGIF! Staying cool inside the #stage
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07.12.19
This social media #promo shoot on Colonial street included some M-40 lamps, a T-12 lamp, some Roadrunner stands and a S60 Skypanel all provided by Universal Set Lighting & Grip.
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